The recent influence of Mongolians and foreigners in Japanese sumo has been made more evident to outsiders due to their wild successes, but the cross-cultural appeal of sumo has existed for decades.
Even Taihō the greatest sumo of all-time and largely considered Japanese was born to a Ukrainian father and a Japanese mother.
Still, it’s the modern era that is now being most closely associated with foreign wrestlers. The first of Japan’s megastar Mongolian sumo wrestlers was Asashōryū, the 68th grand yokozuna and the first-ever yokozuna from Mongolia. Previously, two Americans 64th Yokozuna Akebono Tarō, a 230kg wrestler from Hawaii, and 235kg Akebono Tarō from American Somoa had reached the sport’s top rank.
Neither dominated the sport like Asashōryū or became as popular within their home countries.
Like many traditional wrestling forms around the world, Japanese sumo is closely tied to local culture and sumo takes great lengths to preserve Japanese traditionalism. Wrestlers are to only appear in public while wearing their kimonos, but also in a number of smaller in-the-ring gestures and a code of behavior far more stringent than any code of conduct of professional football or basketball leagues.
The Japanese-centric nature of the sport seems to keep the fans drawn tight to the sport and those who compete – regardless of ethnicity. Mongolians like Hakuhō and Asashōryū (despite setbacks) have shown a great appreciation for the importance of sumo in Japanese culture – a heavier burden since the sport is experiencing an 11-year drought of qualified yokozunas native to Japan.
[[{"fid":"7261","view_mode":"wysiwyg","type":"media","link_text":null,"attributes":{"height":800,"width":1200,"style":"width: 600px; height: 400px; margin: 5px; float: right;","class":"media-element file-wysiwyg"}}]]The last Japanese wrestler to reach the rank of yokozuna was Musashimaru Kōyō in 1998, who along with Takanohana Kōji were the last to hold the rank in 2003. Since Asashōryū was named a yokozuna each of the three subsequent yokozunas have been Mongolian. In order to help balance the distribution of Japanese and foreign wrestlers no stable can have more than one foreign-born wrestler.
Asashōryū, expressed his understanding of this delicate balance during a CNN interview in 2009,
“This is their sport and I think a Japanese sumo would build more interest in the sport in Japan,” said Asashōryū “Of course, I am Mongolian, but I know that I am a Japanese sumo.”
--
On the seventh day of the Tokyo aki basho a new Mongolian looks poised to threaten Hakuhō’s record-seeking final years in the ring.
Ichinojō Takashi, born to nomadic Mongolian farmers as Altankhuyag Ichinnorow, takes the stage. His relative inexperience is evident only in his hair which still isn’t long enough to be wrapped back in the traditional chonmage. The 21-year-old wrestler’s rise to the rank of Sekiwake and the class of makuuchi – the best 42 wrestlers in sumo – has been among the fastest in the history of sumo. This basho is his first as makuuchi.
The fans anticipate Ichinojō’s youth and upon his arrival are breathless with excitement in watching him enter the ring against Ikioi Shōta, an attractive and modestly successful wrestler from Osaka. Kneeling in individual platform arrangements with four seat cushions to each stall, the fans begin snapping photos with cell phones and waving their programs in the air.
Women, some of whom are dressed in traditional tomesode outfits posture for a better look of the Mongolian challenger and Ikioi – one of Japan’s best hopes for making yokozuna, but who hasn’t passed the 11-win mark.
Share your thoughts.
دیدگاهها